A major UK
survey of visual activist Zanele Muholi
»Zanele Muholi is
one of the most acclaimed photographers working today, and their work has been
exhibited all over the world. With over 260 photographs, this exhibition
presents the full breadth of their career to date.
Muholi
describes themself as a visual activist. From the early 2000s, they have
documented and celebrated the lives of South Africa’s Black lesbian, gay,
trans, queer and intersex communities.
In the
early series Only Half the Picture, Muholi captures moments of love
and intimacy as well as intense images alluding to traumatic events – despite
the equality promised by South Africa’s 1996 constitution, its LGBTQIA+
community remains a target for violence and prejudice.
In Faces
and Phases each participant looks directly at the camera, challenging
the viewer to hold their gaze. These images and the accompanying testimonies
form a growing archive of a community of people who are risking their lives by
living authentically in the face of oppression and discrimination.
Other
key series of works, include Brave Beauties, which celebrates
empowered non-binary people and trans women, many of whom have won Miss Gay
Beauty pageants, and Being, a series of tender images of couples which
challenge stereotypes and taboos.
Muholi
turns the camera on themself in the ongoing series Somnyama Ngonyama –
translated as ‘Hail the Dark Lioness’. These powerful and reflective images
explore themes including labour, racism, Eurocentrism and sexual politics.
The
exhibition is based on the artist’s 2020-21 exhibition at Tate Modern and will
include new works produced since then.
The
Huo Family Foundation
Research
supported by Hyundai Tate
Research Centre: Transnational.
The
exhibition in 2020 was supported by the Zanele Muholi Exhibition Supporters
Circle, Tate Patrons and Tate Members»
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